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'Anora' Is Pure Cinema, and the Best Picture Race Is Completely Up in the Air'Anora' Is Pure Cinema, and the Best Picture Race Is Completely Up in the Air'Anora' Is Pure Cinema and the Best Picture Ra


'Anora' Is Pure Cinema, and the Best Picture Race Is Completely Up in the Air'Anora' Is Pure Cinema, and the Best Picture Race Is Completely Up in the Air'Anora' Is Pure Cinema and the Best Picture Ra

Now that Anora has hit select theaters, Sean assesses the state of the Best Picture race by running through a long (emphasis on long) list of 26 films that have a chance to be nominated at the Oscars (1:00). Then, Sean and Amanda discuss Anora, Sean Baker's Palme d'Or-winning drama about a whirlwind romance between a sex worker and the son of a Russian oligarch (30:00). Finally, Sean is joined by John Crowley, the director of the new Andrew Garfield and Florence Pugh romance We Live in Time (1:15:00). They discuss, among other things, the qualities that attracted Crowley to Garfield and Pugh, how he chooses to work in film vs. theater, his long-running project of sincere romantic dramas, and more.

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